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REVIEW OF THE SAN FRANCISCO TRIBAL ART SHOW 

FEB 12th-14th 2010

 

An astute customer who attended the show emailed me the following comments which I found accurate and timely:

"I thought SF was rather so-so, but the opening did seem quieter than recent years, and there was not a lot of pieces that really caught my attention.  It used to be extremely exciting to visit the shows in SF, NY, Bruneaf, and the Parcours with many exemplary objects to see, even if I couldn't afford those objects.  I can't say that anymore.  It's more of a chore now, to have to sort through all the stuff.  Probably high prices have made it difficult for dealers to carry great inventory compared to just 5 or so years ago.  On the other hand, seeing and acquiring just one great object makes it worthwhile, which is what keeps me going to these fairs.

What I can't comprehend is the seemingly bifurcated nature of the market, where many dealers appear to be struggling, and there seems to be weak interest in middle of the road quality objects, but the high end objects at the major auction houses are still selling for enormous amounts.  Are there just two different sets of collectors at play here, one which buys solely at the top end at auctions? 
 
When I started collecting 10 years ago, there were so many beautiful objects available, at prices which seemed high to me at that time in my life, but would now be bargain basement steals.  Seeing this great material developed an interest into passion and propelled me into collecting.  If I'm being initiated by what I see at the fairs today, honestly, I would have zero interest in collecting.  Not only are prices several times higher, the exciting material that I used to see regularly is now mostly absent."

 

Photos courtesy of Amyas Naegele and Michael Auliso

 

Kevin Conru with a stunning Nicobar Island figure from the James Hooper Collection

 

 

Jim & Lin Willis (San Francisco)

 

 

 

Nice Bembe mask Fily

 

Colonial Arts (San Francisco)

 

Wenhua Liu (Xinjiang China)

 

 

A New Britain Sulka Shield, Michael Hamson (Palos Verdes Estates)

 

(left) Kip McKesson (Tanzania) with Neil Becker (West Harrison NY)

 

Neil Becker with a terrific Eskimo Hunting Hat.  Neil and other dealers confirmed to me that Eskimo pieces were among the few things selling they year

 

Kip McKesson

 

McKesson with a Mossi figure previously in Saul Stanoff's collection

 

Ramona Morris (Delaplane VA).  Ramona announced her retirement from the shows but will still be dealing privately

 

Ian Morris

 

Virgina-Lee Webb, Victor Teicher and Sam Singer

 

(left) Howard Rose and Charles

 

 

My neighbor across from me Chris Boylan (Sydney) with San Francisco collector Jim Delman

 

Chris Boylan and Christina Hellmich (Jolika Collection Curator De young Museum)

)

 

 

Tad Dale (Santa Fe, NM)

 

Thomas Murray (Mill Valley CA)

 

Wayne Heathcote's booth.  Jack Sadovnic next to a PNG Mudugumor figure

 

 Cathy Cootner (Sonoma CA) stands next to her favorite piece a seated Mentawai Island figure

 

 

 Galerie Flak (Paris)

 

 Yo de Buck (Brussels)

 

 (left to right) Francoise Barrier, Joaquin Pecci, Renaud Vanuxem and Olivier Castellano

 

 Andres Moraga (Berkley, CA)  A braided Salampasu belt mounted like a coiling snake

 

 Alain Naoum (Brussels)  Fine Koro Cup

 

 Erik Farrow (San Rafael, CA)

 

 Yann Ferrandin (Right)

Tribalmania, Cameroon appliquéd Chief's Tunic

 

Vicki Shiba (Mill Valley, CA) 

 

(My favorite Indonesian piece) A mid 19th c. female dancing figure, Sarawak Borneo w/ tattooing

 

Peter Boyd (Seattle, WA)

 

Patrick Mestdagh (Brussels)

 

Amyas Naegele's Booth (New York) looking out through the eyes of an Okoroshi Mask

 

Craig De Lora (New Jersey)

 

De Lora with a rare type of Sudanese shield

 

Time to pack up and go home!

 

THE END!

 

                     

 

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